Cyber Monday — Here’s what caught my eye…



The Girl with the Long Green Heart by Lawrence Block
Bank Shot by Donald E. Westlake
Save the Last Dance for Me by Ed Gorman
The Listening Eye by Patricia Wentworth
The Baby in the Icebox by James M. Cain
The Hot Spot by Charles Williams
The Spy and the Thief by Edward D. Hoch
The Swimming Pool by Mary Roberts Rinehart
The Dog Who Bit a Policeman by Stuart M. Kaminsky
Shellshock by Richard S. Prather
Kiss Tomorrow Goodbye by Horace McCoy
Slipping Into Darkness by Peter Blauner
Long Live the Dead by Hugh B. Cave



Mrs. Stevens Hears the Mermaids Singing by May Sarton
Shockproof Sydney Skate by Marijane Meaker
The Magician’s Girl by Doris Grumbach
Eye Contact by Michael Craft
Hold Tight by Christopher Bram
The Men from the Boys by William J. Mann
Where the Boys Are by William J. Mann
The Lord Won’t Mind by Gordon Merrick
One for the Gods by Gordon Merrick
Forth Into the Light by Gordon Merrick
Perfect Freedom by Gordon Merrick
The Sound of Heaven by Joseph Olshan
Wolverine Cirque by Joseph Olshan 


Boy’s Life by Robert R. McCammon
Mystery Walk by Robert R. McCammon
Usher’s Passing by Robert R. McCammon
The Compendium of Srem by F. Paul Wilson
Babel-17 by Samuel R. Delany
Lot Lizards by Ray Garton
The New Neighbor by Ray Garton
This Perfect Day by Ira Levin 
Those Who Hunt the Night by Barbara Hambly
Chthon by Piers Anthony
Nightwings by Robert Silverberg
Blood Music by Greg Bear
Adulthood Rites by Octavia E. Butler

Recommended by PULP BUZZ SYNDICATE

Courtney Cox’s Asshole by Jill Soloway ★ Susie Bright, the Feminist Sex Writer

 

After binge-watching all episodes of the Amazon Original Series Transparent created by Jill Soloway, I’m already re-watching them again and jonesing for the next season. Meanwhile, I figured pulp readers would enjoy this clip from Rachel Kramer Bussel’s In the Flesh Reading Series, in which editor & author Susie Bright discusses her cameo on Six Feet Under, Courtney Cox’s Asshole and being a feminist sex writer. Enjoy! —JF